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OpenType fonts

Fonts

Adagio Pro

Adagio Pro… sounds like music, elegance and classic quality. That's exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

Adagio Pro comes with more than 1.100 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Addionally, there is a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

Adagio Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Admiral Script

Admiral Script is a spirited unconnected script typeface originally designed by Robert H. Middleton for Ludlow in 1953. Its lower case characters are quite small adding the impression of a precisely, carefully written pen lettering. Based on artwork taken from old specimen books, Ralph M. Unger redesigned this beautiful script typeface in 2005 for profonts, completed the character set to current standards and digitally remastered it.

Arabella Pro

Originally, Arabella Pro was designed by Arnold Drescher around 1936/1939. Drescher created this wonderful script for former Germany typefoundry Joh. Wagner. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio.

Arabella Pro comes in two versions, light and medium, each with a large selection of manually designed ligatures and alternates, i.e. swashed upper case to make this naturally flowing script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

Arabella Pro light and medium are perfect partners for any sans serif, especially for Futura. It is perfectly suited for anything in the area of headlines, posters, invitations etc. However, since it is very well legible, it can also be used individually for small text blocks.

Atrament

Another new, beautiful script design by German type designer Ralph M. Unger. Atramant is casual and easy, ideal for any setting in larger sizes. Still, due to its excellent legibility, it can also be used for littel text blocks in smaller sizes. Atrament was designed for the URW++ FontForum.

Atze

profonts Atze™, a new profonts handwriting script font, was designed by Ralph M. Unger for the profonts Library. Inspired by frowned upon Comic Sans, Atze is much more pleasing, much milder and more natural. It cannot and should not only be used for Comics and children’s books but for literally all situations where a friendly, soft, casual and relaxed atmosphere is required.

However: Especially for Comic books, Unger created a set of very funny Atze Bats: AAAAH – BOOOM – BRRRR!

Balladeer

Balladeer is an elegant, classical script design coming in three styles as Light, Medium and Bold.

The volume contains:
Light, Medium, Bold

Ballerina Pro

Ballerina Pro… sounds like music, ballet, elegance and classic quality. That's exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is a more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

Ballerina Pro comes with round about 600 characters covering the complete Latin glyph set for West and East including Baltic and Turkish.
Addionally, there is a large selection of manually designed character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

Ballerina Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of ballet, classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Bernhard Script

Bernhard Script (Schönschrift) was originally designed by German designer Lucian Bernhard in 1925/1928 for Bauersche Gießerei in Frankfurt. It is a French-influenced non-connecting script with a small x-height and resultingly large descenders.
Ralph M. Unger revived and digitally re-mastered this beautiful German script in 2005 for profonts.

Bradley

Bradley, originally designed by Herman Ihlenburg based on lettering by Will H. Bradley for the cover of a Christmas issue of an American magazine, is a pretty heavy blackletter design. ATF released it in 1895. It is based on very old manuscripts, however with plenty of new character forms. Later on, Bradley was also released as Ihlenburg. Other than similar designs of that time, e.g. Abbey Text of A. D. Farmer & Son or St. John of Island Type Foundry, Bradley ‘survived’ and was resurrected by ATF in 1954 for the second time.
In 2005, German designer Ralph M. Unger eventually revived this still very legible blackletter typeface for the digital era. He redesigned, completed and digitally re-mastered Bradley for the profonts library.

Breitkopf Fraktur

Breitkopf Fraktur was designed by JohannGottlob Immanuel Breitkopf (1719-1794), the well-known type designer and printerof Leipzig. Breitkopf's high reputation isbased on a system of musical notes prin-
ting developed by him. 1793, in the finalstage of his life, he designed this beautiful broken script named after himself.

Breitkopf Fraktur is classified as "broken", something created by the German renaissance. Broken because all round parts of the lower case characters in such typefaces look broken.

Ralph M. Unger redrew and digitized this font exclusively for profonts in 2003. His work is based on artwork taken from old font catalogues.